The Vira means the Heroic and the Lila means the Playful.
To practice Vira is a powerful practice because there is either victory or defeat. Victory is not the perfect pose, but the fullness of the practice. What do I mean by that? To make a Vira practice is 1) to establish the whole grounded presence (shtira), 2) to set an intention (sankalpa), 3) to enter into the fullness of oppositional expression with effortless effort (sukha), until 4) we identify limitation, resistance, obstruction, pain (dukha), and 5) to exit, either to return to the original position or to carry forward into another intention.
With Vira there is no retreat, no wiggle, no adjustment as I go. With clarity I can observe my intention and the quality of its expression. There is victory in that observation. There is a foothold or grip. I can make the adjustment next time. There may be failure, or a break in the pose. If so, I release and start again from the beginning. Kumar would say, “There is no shortcut, man.” The purpose is to activate discipline and functional will, not merely to achieve a desire or outcome. Through concentration and discipline one achieves, but ultimately, the Vira practice isn’t about the glory of the posture but the instincts of life.
To practice Lila is to play out an intention, and not to play in a random, crappy, anything is ok way. That isn’t honorable play. To practice Lila is to play, to carry shtira with effortless effort, and to continuously adjust oneself into greater shtira. Lila is the willingness to observe, to explore, to discover, and to seek adjustment in the moment, to seek the shtira in the expression and the effortless effort. To practice Lila is to approach dukha and respond in presence. With Lila I maintain the vessel of intended asana and improvise within that form, using breath and adjustment with curiosity and discovery.
Vira is to withhold adjustment while learning the clarity of specific limitation, dukha. With that learning, I can adjust myself internally so that my next repetition includes the adjustment.
Lila is to improvise well and within an intentional form.
What is needed for hand balances? How do they build? How do we enter and exit? Where is shtira?
Beginning again means asking familiar questions and looking for the answers in the posture, observing what doesn’t work, and what does. Learning twice, and twice again in Beginners Mind.
I recorded this last night because I must be on the road during our usual time. Here we observe three planes of functional spinal movement with breath. I invite you to recall warm-ups of this past week and to practice from whatever you can recall. If you cannot recall, then reboot yr favorite livestream recording and use that.
This week marks the start of a new endeavor at the SAMURAI INTI Martial Arts Studio in Frisco. I’ll be teaching i a group class there at Sendai Sebastian Mejias ‘ dojo on Monday and Wednesday mornings.
Here's Jeff's updated schedule (please note the upcoming change to Saturdays). Below the schedule, you'll find payment links for the in-person group classes.
Mondays, 9AM in FRISCO at Samurai Inti Martial Arts, 7410 Preston Rd., #105, Frisco, TX 75034
Wednesdays, 9AM in FRISCO at Samurai Inti Martial Arts, 7410 Preston Rd., #105, Frisco, TX 75034
Thursdays, 8:30AM in DALLAS at Carpathia Collaborative, 10260 N. Central Expressway, #210, Dallas, TX 75231
UPDATE APRIL 13, 2025: Saturdays, 8:30 AM in DALLAS *WILL BE AT A NEW LOCATION VERY SOON! Will likely either be at White Rock Lake or Carpathia Collaborative, not the Hillcrest location. Confirmation coming soon! This update was posted on April 13, 2025.
PAYMENT LINKS FOR GROUP CLASSES (you can also pay cash in person at the time of the session; take note of your subscriber and payment level):
Locals community subscribers at the free level, and the general public: $35
https://buy.stripe.com/eVadTm24V3fi77O6oD
Locals community supporters ...
This book was fundamental to body movement and awareness. Notice the three planes of functional spine.
If you ask a personal trainer, a pilates teacher, a yoga teacher, and a massage therapist about “core strength” it is likely you will get different answers.
We wish to observe the diaphragm as the central origin of neuromuscular action — activating channels of strength down through the lumbar vertebrae, hips, legs, feet. And likewise int he opposite direction up the spine through the thoracic spine, shoulders, neck and skull.
Here is an image for us to keep in mind and note how we humans hold together — feet to fingertips and eyes.